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"Jonathan has photographed International Alert's work in three different continents. He always becomes part of the team, needs a minimum amount of support and delivers stunning images which convey a real sense of humanity."
Phil Vernon
Director of Programmes
International Alert
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Quality photography is absolutely essential to our brand. It’s who we are, what we do and the impact we have on the world. And that means working with a photographer like Jonathan, who understands what we are trying to achieve with our work."
THOM MCKAY,
Director of Communications
RTKL.COM
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset,
Vice President
InterGen Europe
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"We work with photographers that try to capture the essence of our work and reflect our company values in terms of design. Jonathan produces excellent results every time with creative flair. He is highly professional to work with as well as personable. "
Sean Collins & James Felstead
Directors of CGL Architects.
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"Jonathan Banks has captured the faces of different people that vividly represent the human side of the conflict of Nagorno-Karabakh where each individual remains above all a human being with his or her right to be what they are, wherever they live, with dignity and in peace. "
EU Ambassador in Yerevan
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset
Vice President, InterGen Europe
X

2017 September

06

Sep

Adobe’s creative cloud 9 offices in London

  • By Jonathan Banks

I recently photographed the new Adobe cutting edge office in London’s Shoreditch. The offices are located on the ‘Silicon Roundabout’ in London’s Tech City, a hive of innovation and the third-largest technology cluster in the world after San Francisco and New York City.

Adobe have taken 3 floors in the much talked about White Collar Factory development by Derwent London, one of London’s most innovative office specialist property regenerators. The building boasts high ceilings, abundant natural light and natural ventilation, thanks to concrete core cooling. And, as well as being a healthy place to work on the inside, there is plenty to do to keep fit and active with access to a roof terrace including a 150m running track and plenty of space to park bicycles.

The office will serve as Adobe’s new Sales & Marketing hub for London/Europe, and will house around 375 staff for the technology company. 

The scheme has been designed by Gensler and Hoare Lea and managed by Turner & Townsend and is a mixture of open plan areas, meeting rooms, social hubs, a library, tech café and a games room. A major feature includes a ‘Customer Experience Centre’ – providing UK and European customers with an environment to experience Adobe’s technology.

Como was assigned to complete the 45,000 sq ft fit out with features including an interconnecting feature staircase constructed in bold, red perforated metal mesh around a steel structure that sits on a combination of concrete and timber platforms. Light cubes on wire mimic falling pixels spreading through the void space. The feature stair connects staff across levels 7 and 8 and reflects the industrial feel of the building. The overall aim was to create a feeling of home, not just a workspace, which tells the story of the Adobe brand and culture.

The soffit is generally exposed with fabric baffles aiding acoustics and aesthetics, punctuated with areas of suspended metal mesh. The fabric baffling continues with meeting rooms and meeting pods, along with large AV arrangements.

This layout provides a fluid working environment, meant to spur new ideas and unexpected collaborations. The employees may have an assigned desk or access to quieter individual work spaces, but they’ll also have a variety of group spaces if they need to work in a collaborative way.

Of course, Adobe has included an element of their creative spirit, with an installation of coloured mirrors that reflects the iconic London skyline, mimicking Adobe Photoshop filters. Plus they have also commissioned local creativity, with an exclusive ceramic centrepiece designed by East London artist Zachary Eastwood-Bloom.

The offices have been seen as a confirmation of Adobe’s commitment to the UK and Europe, continuing their mission to inspire creativity in people who want to make a meaningful impact around the world.

 

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