EPR Architects has once again scooped the AJ100 Client’s Choice award. The practice has now won the gong 3 times in the last 4 years, reclaiming the top spot from last year’s winner HTA Design.
EPR emerged as the runaway winner after the AJ polled construction clients and asked them to name both a practice with whom they would like to work again, and one they had not yet worked with but would like to.
The architect beat 6 other shortlisted practices, which included 3D Reid, Allies and Morrison and Assael Architecture. EPR is ranked 16th in the AJ100.
Earlier this year I photographed the new London offices of a leading US Investment firm for them.
EPR’s design has successfully reimagined and reinvigorated the office space, creating a high quality, open plan modern working environment with ample features for their staff and visitors.
The reception area has been redefined as a welcoming area that is more akin to being an art gallery than the reception of an investment firm. One wall is clad in cherry wood panels and the others in subdued fabric panels to compliment the incredible Anthony Gormley sculpture and Rebecca Gouldson wall art.
The front of house guest area also includes various meeting options including the boardroom, housing a custom made Ceasarstone table along with Wilkhahn Solo leather conference chairs.
Between the client meeting area and the back of house working environment is a communal kitchen, dining, and informal meeting space. A bespoke oak bench emerges from the timber floor and continues up the wall before forming a ceiling feature as a contrast to the character of the work environment. Above the table is an Ultra 8 by Le Deun feature pendant light.
The open plan working environment offers staff a variety of spaces where they can work effectively, including dedicated desks to meeting rooms of different sizes and comfortable breakout spaces. This is furnished with Knoll Tone Sit Stand workstations throughout with Herman Miller Aeron task chairs.
Attention to detail was central to the design which replaced the heavily repetitive panel ceiling system for a bespoke ceiling solution to each cellular office, integrating a black framed ventilation grill to clearly define the two open plan offices. Within the front of house areas, the ventilation grill is replaced with a black aluminium channel and lighting which connects the spaces and directs guests to the refurbished meeting rooms. This lighting by Kreon highlights key features such as the flamed textured granite wall in the lift lobby, the cherry wood wall in the reception gallery, and the artwork.
Like photography, design is about beauty and content or form and function. All too often photographers and designers seem to be working hard to produce material that is baying for your attention. Sometimes all that is required is a passion for quality, and a high standard of finish showcasing what you are about. EPR Architects have balanced this perfectly.
I have been photographing with InterGen for 13 years, providing them with commercial photography for their annual reports, website, & marketing material.
Originally, I photographed all 3 UK sites going on to capture 2 power stations in the Netherlands plus 5 sites in Mexico which they no longer own. I have also photographed their corporate portraits & various events along the way.
InterGen is a world class developer, owner & operator of power generation facilities in the UK & Australia, with over 25 years’ experience in energy markets.
Earlier this year InterGen asked me to return to the UK sites to produce a new set of pictures for a rebrand which required fresh content for their new website.
This time Photobanks Ltd. in collaboration with VisMedia supplied photography, film, drone photography & 360 degree content for online tours.
We spent a day at Spalding Power Station in March & then went into lockdown immediately after. The website was launched shortly after
We have recently covered the two other UK sites which I will showcase in the future.
I am featured as a profile in the current issue of “Fresh” Magazine, a monthly publication produced by Atrium.
Atrium are the UK’s largest independent specialist lighting supplier founded in 1976. Atrium works closely with architects, designers, and engineers to bring the best lighting solutions to the UK’s best designed buildings. I have been photographing with Atrium for over seven years capturing their projects, products, events and even portraits.
The magazine sets out to inform all creatives about what is happening in the world of lighting, architecture, and interior design.
I have the front cover with a picture of Michael Anastassiade’s “Arrangements” shot at the Atrium studio; a seven double page spread about me, my approach to photography and some of the extraordinary projects I have photographed; and then finally there is a recent project of a Highgate Flat featuring FLOS lighting.
It is always great to see my work in print but even more so when it is for a profile which is alongside the work of designer Vincent Van Duysen.
Fresh wanted to show the variety of sectors that I photograph and the range of my creativity in the imagery that I produce. The final selection ranges from the award-winning BBC Langdon Place by HOK to the new ICON Outlet O2 by CallisonRTKL and Hoare Lea. You will also see a couple of details from different Nando’s restaurants by STAC Architecture, and interior photos from, Made Architect’s “Engine” building for UBS, and the incredible tech company headquarters in London by CallisonRTKL.
I was asked to supply a portrait of myself which also somehow showcased my work. I came up with the concept of a self portrait built from a large mosaic selection of individual interior photos.
With employees returning to the office, health and safety measures are accelerating workplace design trends for wellness, creativity, and flexibility.
A month before lockdown I photographed the new Fora at Arnold House in the heart of Shoreditch, as designed by Hassell and Tetris.
Futureproofing was considered from the start, not only in the internal layout and services strategy, but also through the use of a demountable partition system for flexibility of arrangement, re-use of materials and reduction of waste.
The design concept was inspired by the modernist spirit – combining the building’s original character with the evolving entrepreneurial nature of Shoreditch.
In keeping with the progressive nature of the area, the space offers a sophisticated environment echoing the evolution of workspaces. Lighter, brighter spaces are given over to co-working areas and social spaces. More focussed working areas and meeting rooms can be found deeper within the floorplate, reflective of the more intimate nature of the activities within.
Fora Arnold House has been nominated in the Workplace Interiors category for the prestigious Mixology Awards.