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"Jonathan has photographed International Alert's work in three different continents. He always becomes part of the team, needs a minimum amount of support and delivers stunning images which convey a real sense of humanity."
Phil Vernon
Director of Programmes
International Alert
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Quality photography is absolutely essential to our brand. It’s who we are, what we do and the impact we have on the world. And that means working with a photographer like Jonathan, who understands what we are trying to achieve with our work."
THOM MCKAY,
Director of Communications
RTKL.COM
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset,
Vice President
InterGen Europe
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"We work with photographers that try to capture the essence of our work and reflect our company values in terms of design. Jonathan produces excellent results every time with creative flair. He is highly professional to work with as well as personable. "
Sean Collins & James Felstead
Directors of CGL Architects.
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"Jonathan Banks has captured the faces of different people that vividly represent the human side of the conflict of Nagorno-Karabakh where each individual remains above all a human being with his or her right to be what they are, wherever they live, with dignity and in peace. "
EU Ambassador in Yerevan
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset
Vice President, InterGen Europe
X

Architecture

13

Feb

How to design an icon in architecture

At the end of last year I photographed the new ICON Outlet at the O2 for CallisonRTKL. The opening of ICON Outlet completes CallisonRTKL (CRTKL) and the clients’, AEG and Crosstree’s, vision to deliver an unparalleled leisure and entertainment district for London – a place where retail and leisure converge. The development will complete the circuit within the Entertainment District to create a 360-degree visitor experience that not only supports the main arena events but has the critical mass to be a customer draw in its own right.

“The retail world is ever-evolving, the focus on the curated experience is a real shift of approach. Shopping destinations are now seeking new leisure experiences to attract, activate and energize their existing offer. What we have here is one of the most iconic leisure destinations in the world, anchored by the world’s favorite arena. We believe that the addition of the ICON Outlet is the final critical piece that will not only transform the O2 but in its own right create a new paradigm,” said Nathmya Saffarini, Senior Associate Director at CallisonRTKL and thought leader in sports anchored entertainment districts.

The success of a mixed-use project hinges on activity. The more people are walking around, using the space and engaging with it, the more it creates an inclusive atmosphere and people want to be there. Creating spaces where communities can come together, alongside major entertainment destinations would ensure that the district will never ‘go dark’ and the different zones will offer varied, engaging experiences for visitors any day of the week.

New contemporary food concepts were curated for ICON Outlet to compliment the fashion district and deliver a true lifestyle destination.

The urban outlet has been divided into key themes, which the developers state reflects consumer trends and behaviour, from ‘Best of British’ highlighting quality and heritage to ‘Global fashion’, featuring premium brands from across the globe. Other areas include ‘Beauty and accessories’ and ‘Sports and lifestle’, offering some of the most exciting names in athleisure.

To complement the retail offer, Icon Outlet will also host a range of experience-led services, including personal shoppers and stylists, hands-free shopping, and unique event shopping packages.

CRTKL’s concept focuses on the creation of two unique retail experiences – the Petals and the Clouds – to correspond with the leasing strategy and the character of the space they occupy. The ceiling treatments within these spaces are a unique feature to the site, designed to create a sense of light, space and tranquillity. Clever use of LED lighting enables the tone and look and feel of the development to shift depending on the time of day.

“The two-storey mall section referred to as the Petals creates a sensory explosion of colour and form inspired by London’s fashionable retail streets. The canopy that runs along its street is designed to replicate the dappled shade of a tree-lined thoroughfare,” said Nathmya Saffarini, Senior Associate Director at CallisonRTKL.

The single storey section referred to as the clouds is designed to be a column-free retail space, the ceilings, roofs, walls are hung from the existing trusses in the space. It is a clever solution that gives the client the flexibility to move internal partitions as needed to meet retailer requirements.

“‘The Cloud’ is designed as a calming retail escape. It creates an ambiance of light and tranquillity with its immersive forms and cool colours. The ceiling treatment consists of a series of fins that envelops the space below,” said Nathmya Saffarini, Senior Associate Director at CallisonRTKL.

Designing the ceiling treatments was one of the most exciting challenges, the design needed to be lightweight, work with the O2’s smoke fire strategy whilst creating visual interest underneath the tent liner.

A second phase comprising another 32 stores on the lower level will open in Spring 2019. Being in the middle of a global city, it has an amazing residential catchment so an outlet would work in its own right but being in an iconic building, with river frontage, tourist attractions and the huge profile of its leisure offer Icon Outlet should mature into one of the very best outlets and should set the bar for others.

CallisonRTKL

ICON OUTLET

29

Jan

A light bite from a heavy weight in design

  • By Jonathan Banks

Casual dining is a challenging marketplace and staying relevant is crucial to success. Last year I photographed a number of Nando’s including the Victoria Cardinal Place restaurant as designed by Moreno Masey.

First impressions are important, and when it comes to Nando’s restaurants, lighting is always at the forefront of the concept. The interior design has to enhance the customers dining experience with several layers of lighting used to meet those requirements.

Whether it is daylight or artificial lighting, light draws our attention to textures, colours and forms of a space, helping the design of a space achieve its true purpose. Vision is the single most important sense through which we enjoy the space we occupy, and lighting enhances the way we perceive that space even more.

Victoria Cardinal Place Nando’s is a master class in lighting, utilising the natural light at the front whilst maintaining this with ambient lighting in the stripped back ceiling. There are feature pendants above the various booths and lose tables which circle the restaurant, task lighting around the drinks and condiment unit, and architectural lighting built into the ceiling plus feature “wave” wall.

Central to the restaurants lighting are the Aim Lamps by Ronan and Erwan Bouroullec for Flos. These minimalist industrial suspension lamps create a tangle of wires to produce an organic feel to them. This is echoed in the feature metal and wooden “wave wall”.

There are bold flashes of colour in upholstery, table legs, artwork and servery tiles. The furniture is a mixture of lose tables and booths which hug the feature wall. Even the Nando’s sign is a minecraft ‘esqe wooden block cockerel which is back lit from within.

I’m going to add a special thanks to my youngest son for being my assistant on the day!

Nando's

Moreno Masey

FLOS

14

Jan

Nando’s UK Creative Headquarters

  • By Jonathan Banks

Last year I photographed the Nando’s newly refurbished head office reception space in Putney, as designed by Fusion DNA.

Fusion DNA have created a space that looks and feels in the same vein as one of Nando’s restaurants. There is the familiar Nando’s pallet of earthy tones contrasting with vibrant chilli flashes of colour. The design employs African patterns and natural materials with a variety of textures. The reception desk is polished concrete and is set against a bespoke tiled wall with feature pendants above. There is a ribbon light that leads you into the seating area which comprises of a huge feature wooden slat bench curving and twisting to define the reception waiting area.

Also on the ground floor is a large conference room with a bespoke boardroom table made by Forest to Home. The room opens out on to a courtyard for those meetings in the summer to spill out into. There are several other smaller meeting rooms with feature pieces of furniture, pendant lights and artwork.

The spiral stair case is constructed from polished layered plywood and is intertwined by a tube slide that I just had to try whilst there! On the first floor is a large break out / kitchen point for informal meetings. There are also a number of “class rooms” for staff training. Plants seem to grow wherever they can, with a plant wall in the reception area, wall hung planters in the breakout / kitchen space and numerous large planters dotted around.

Nando’s has so far bucked the trend of the slowdown of the casual dining sector and has plans to further expand its restaurant estate in 2019.

For more information check out -

Fusion DNA

Nando's

09

Jan

Work, rest and play – IQL

The idea of the workplace has changed dramatically in recent years. No longer just a physical setting, done right, the workplace can contribute to enhanced employee health and wellbeing, create a sense of community and improve pride in a place of work.

I was tasked to photograph the new International Quarter London building, which is a joint venture between Lendlease and LCR, designed specifically as the new headquarters for the Financial Conduct Authority (FCA).

Sitting within a 22 acre site that connects seamlessly to Queen Elizabeth Olympic Park and the emerging Cultural and Education District, IQL is in the heart of Stratford. Combining workplace design expertise, Stratford’s green open spaces and outstanding transport connectivity, FCA staff will also have access to a range of facilities including an onsite gym, large roof terrace and 200-seat auditorium.

The new building was designed by world-acclaimed architects, Rogers Stirk Harbour + Partners, to emulate the very latest thinking behind progressive ways of working. With the health and wellbeing of its occupants at the very forefront, it boasts stunning views of the City of London, as well as innovative design features. A key feature of the building is the atrium which has been designed as an open working environment. There are different work settings within the atrium for people to either work together or on their own.

The building has achieved the highest environmental rating for materials used. Innovative Closed Cavity Facade cladding monitors the position of the sun and adjusts the blinds accordingly, working with multi-service chilled beams to keep temperatures comfortable in the building without compromising on maximising natural light for its occupants from the floor to ceiling windows. 100% fresh air is circulated throughout the building, forming a healthy and stimulating environment to work in.

Around 6,300 employees are now established at IQL with the FCA and Unicef moving their headquarters to the development over the summer. They join TfL who moved to their new building, 5 Endeavour Square, in September 2017. Construction of the third commercial building is in progress, with space there pre-let to Cancer Research UK and British Council. Together they shall bring around 2,400 further staff to IQL when they move in late 2019 and early 2020 respectively.

For more information go to - LendleaseRogers Stirk Harbour + PartnersInternational Quarter London

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