I am featured as a profile in the current issue of “Fresh” Magazine, a monthly publication produced by Atrium.
Atrium are the UK’s largest independent specialist lighting supplier founded in 1976. Atrium works closely with architects, designers, and engineers to bring the best lighting solutions to the UK’s best designed buildings. I have been photographing with Atrium for over seven years capturing their projects, products, events and even portraits.
The magazine sets out to inform all creatives about what is happening in the world of lighting, architecture, and interior design.
I have the front cover with a picture of Michael Anastassiade’s “Arrangements” shot at the Atrium studio; a seven double page spread about me, my approach to photography and some of the extraordinary projects I have photographed; and then finally there is a recent project of a Highgate Flat featuring FLOS lighting.
It is always great to see my work in print but even more so when it is for a profile which is alongside the work of designer Vincent Van Duysen.
Fresh wanted to show the variety of sectors that I photograph and the range of my creativity in the imagery that I produce. The final selection ranges from the award-winning BBC Langdon Place by HOK to the new ICON Outlet O2 by CallisonRTKL and Hoare Lea. You will also see a couple of details from different Nando’s restaurants by STAC Architecture, and interior photos from, Made Architect’s “Engine” building for UBS, and the incredible tech company headquarters in London by CallisonRTKL.
I was asked to supply a portrait of myself which also somehow showcased my work. I came up with the concept of a self portrait built from a large mosaic selection of individual interior photos.
These are challenging times. The transport industry is experiencing a huge reduction in travel for work purposes. It has certainly been strange over the past couple of months flying with a handful of fellow passengers. The same can be said about train, ferry, and tube journeys. I continue to rack up the mileage.
While there is always a lot to be done in front of a computer, a photography business cannot totally be run from an office. I have been working with a number of clients on projects that have required all forms of travel. We have always followed the government guidelines to ensure that every job is delivered within the current restrictions and applied our own moral values to any engagement. I have been working in various different hospitals, on boats out at sea, at industrial energy facilities and with vulnerable people. I will be showcasing some of the work soon.
Yesterday was World Photography Day … yes, I am a little late to the party, but I was actually on assignment, photographing! I had a think about what photos I should post to celebrate this day and concluded that I should go with something a little self-indulgent!
World Photography Day is an annual, worldwide celebration of the art, craft, science, and history of photography. I am going to take this opportunity of saluting every photographer who expresses themselves through whatever device it is that they take pictures with. I have great respect for you all, from photojournalists on the front line of telling the truth to environmental photographers capturing the beauty of our plant, humanitarian photographers, art photographers, commercial photographers, students, and amateurs who love to experiment.
I have photographed in over 70 different countries, documenting subjects as diverse as mask dancing festivals in Burkina Faso, the effects of the Chernobyl disaster in the Ukraine and the aftermath of 9/11 in New York. I am passionate about my work and embrace the challenges of collaborating with global corporations, magazines and NGOs alike. Every assignment is different, and, as such, is approached uniquely. I am always on the lookout for new creative partnerships.
At the end of last year, I worked with Vismedia to supply photography, film and 360-degree material to DRAX Energy Group. I have been working with DRAX Group in both the UK and USA for over four years.
Last years material was captured up in Scotland from several hydroelectric power stations including the impressive Cruachan power station.
Some of the photography has been featured in the Scotsman as part of a feature announcing Cruachan’s new contract with National Grid ESO to provide critical stability services, and The Herald as part of a feature on Drax’s robust half-year results and the progress of plans to expand the iconic Cruachan Power Station.