The Venice International Art Fair 2021: Fragmented Identities came to an end last week. I had three photographs being exhibited in the THE ROOM Contemporary Art Space | Palazzo Albrizzi-Capello in Venice between July 12 - August 01, 2021.
The Venice International Art Fair is a contemporary art exhibition that presents collective and solo projects by leading and emerging international artists. I was invited to show the work from my series of “Portraits of Survivors of Torture” produced in collaboration with TASSC International. The portraits feature survivors of Torture from around the world who fled their home countries seeking safety, recovery, and political asylum.
With the participation of more than 95 artists from more than 25 different countries, the art fair welcomed a healthy number of people back to the gallery. I was unable to attend the Art Fair due to the current travel restrictions, but the good people at ITSLIQUID sent me some pictures of my work at the fair as well as some general photos.
It is with great pride that I can announce that I have been inducted into the SIENA Awards Hall of Fame. The Siena Awards were born from the experience of the Siena International Photo Awards, an international event that, in a few years, has managed to become known as one of the most important photo competitions in the world.
When Luca Venturi (creator and artistic director) first imagined the SIENA Awards, he set his target on making Siena the heart of the photography world that would bring photographers together from around the world.
“We are happy to have created a large family, a community with photography at its centre, as a form of international language that connects people of every culture and social background. A dream come true, supported by partners and institutions that together with us continue to invest in the power of imagination and the power that images have to be able to tell stories full of meaning " – Luca Venturi
The Hall of Fame was created to recognise the value of those who have believed in the importance of the project since the first edition of the Siena International Photo Awards.
It is an honour to have my name amongst such esteemed photographers and a pleasure to be part of the wider SIENA Awards family.
I am honoured to be a FINALIST in the eleventh edition of the World Report Award 2021 | Documenting Humanity in the SINGLE SHOT category. My entry of “A Boy from the Crowd” photographed in Liberia for International Alert was shortlisted from over 13,000 photographs taken by photographers around the world. An international jury composed of Lauren Steel, Svetlana Bachevanova, Gary Knight, Alberto Prina and Aldo Mendichi selected the work which will be exhibited during the annual edition of the Festival of Ethical Photography in Lodi, Italy.
The World.Report Award aims at a new form of social commitment through photography. The award gives attention to work focusing on people and their social or cultural stories; public or private, minor or crucial, major human tragedies or smaller daily life stories, changes and immutability.
Every year the contest creates a fresco that tells the stories of our planet, its great changes and its intimate and personal relationships connecting human beings.
The World Report Award|Documenting Humanity isn’t simply a contest that through its prizes economically supports those who are actively engaged in this difficult sector of photography, but it also represents a way for all participants to enter into a supportive community that they have built over the past 10 years and composed of professionals who are already collaborating with the organization.
The winners in every category will be announced on August 30th.
I am proud to announce that I am part of the Venice International Art Fair: “Fragmented Identities”, exhibiting at The Room Contemporary Art Space in Venice, from July 12 to August 01, 2021. Venice International Art Fair is a contemporary art exhibition that presents collective and solo projects by leading and emerging international artists. The 13th edition will represent a forum for direct exchange of ideas and contacts between collectors, artists, photographers, designers, and art professionals. The art fair features paintings, sculptures, photography art, installations, video art and live performance.
Borders Art Fair is divided into three appointments (Bodies + Cities Skin, Fragmented Identities and Future Landscapes). I was invited to exhibit three works as part of the Fragmented Identities collection.
Fragmented Identities analyses human beings as living mosaics composed of many different pieces, that form who we are. The challenge is to recognise that there is not just one perspective of knowing someone. In understanding our fragmented identities, we will be able to break down all the barriers and boundaries that divide us.
I am exhibiting three photographs from my series of “Portraits of Survivors of Torture” produced in collaboration with TASSC International. The portraits feature survivors of Torture from around the world who fled their home countries seeking safety, recovery, and political asylum. Most were tortured by repressive governments for “reasons” as varied as joining opposition political organisations, criticising their governments publicly, refusing to join the ruling party, being related to a political dissident or because of their religion or sexual orientation. These men and women were persecuted for standing up for freedom of speech or assembly or for exposing government corruption, fighting against gender-based violence or forced early marriage for girls.
Survivors are the strongest and most effective voice in the campaign to abolish torture.
Not all survivors want to be recognised for fear of repercussions to their friends and family. Each survivor selected a photograph that was significant to them. The photograph was then projected over the individual, sometimes obscuring their identity as per their request.
The portraits invite viewers to see the survivors in the fullest measure of their humanity— to look beyond whatever pre-conceived notions they might have about refugees and asylum seekers and see them as individuals with very human connections to place and home.