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"Jonathan has photographed International Alert's work in three different continents. He always becomes part of the team, needs a minimum amount of support and delivers stunning images which convey a real sense of humanity."
Phil Vernon
Director of Programmes
International Alert
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Quality photography is absolutely essential to our brand. It’s who we are, what we do and the impact we have on the world. And that means working with a photographer like Jonathan, who understands what we are trying to achieve with our work."
THOM MCKAY,
Director of Communications
RTKL.COM
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset,
Vice President
InterGen Europe
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"We work with photographers that try to capture the essence of our work and reflect our company values in terms of design. Jonathan produces excellent results every time with creative flair. He is highly professional to work with as well as personable. "
Sean Collins & James Felstead
Directors of CGL Architects.
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"Jonathan Banks has captured the faces of different people that vividly represent the human side of the conflict of Nagorno-Karabakh where each individual remains above all a human being with his or her right to be what they are, wherever they live, with dignity and in peace. "
EU Ambassador in Yerevan
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset
Vice President, InterGen Europe
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News

09

Mar

Quality of Light: Interior Design

  • By Jonathan Banks

Whether an office’s light source is natural, artificial, bright and blue, or dim and yellow, the type of light that employees are exposed to not only impacts mood and physical health but also affects productivity and creativity.

Lighting that is too dim can strain your eyes and make you feel drowsy and tired. Too-bright lighting, on the other hand, can be harsh on your eyes and make your brain work harder causing fatigue and trigger symptoms of migraines.

The colour and temperature of office lighting should vary based on the function of the space. In general, warmer yellow or orange lights tend to be better for relaxing, whereas cooler blue and white lights are good for working, waking up, and concentrating. If possible, the lighting temperature and colour should vary based on the time of day. In the morning, light should ideally be brighter and cooler, to help employees stay alert and concentrate. As the day goes on, the lighting should be warmer, helping employees to wind down.

As a photographer I pay particular attention to the lighting of any space, appreciating the quality of light in the intensity and temperature. I recently revisited the SAS office project that I photographed for Morgan Lovell which is featuring on Office Snapshots online resource for the global office design community. The space delivers an unparalleled customer experience whilst offering a dynamic and multi-functional environment for their London staff. There is a state-of-the-art reception complete with adaptable mood-lighting, ‘experience corridor’ and Innovation Hub used to showcase their products.

My photography brief included capturing the space in a range of different colour temperatures.

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