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"Jonathan has photographed International Alert's work in three different continents. He always becomes part of the team, needs a minimum amount of support and delivers stunning images which convey a real sense of humanity."
Phil Vernon
Director of Programmes
International Alert
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Quality photography is absolutely essential to our brand. It’s who we are, what we do and the impact we have on the world. And that means working with a photographer like Jonathan, who understands what we are trying to achieve with our work."
THOM MCKAY,
Director of Communications
RTKL.COM
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset,
Vice President
InterGen Europe
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"We work with photographers that try to capture the essence of our work and reflect our company values in terms of design. Jonathan produces excellent results every time with creative flair. He is highly professional to work with as well as personable. "
Sean Collins & James Felstead
Directors of CGL Architects.
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"Jonathan Banks has captured the faces of different people that vividly represent the human side of the conflict of Nagorno-Karabakh where each individual remains above all a human being with his or her right to be what they are, wherever they live, with dignity and in peace. "
EU Ambassador in Yerevan
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset
Vice President, InterGen Europe
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architect

30

May

Look up and listen – The Minster Building

  • By Jonathan Banks

I recently photographed The Minster Building in London, which is the latest financial district property to be transformed. It now offers a rejuvenated, premier environment showcasing Grade A facilities, as well as nurturing a much sought-after work/life balance.

Originally built in 1992 to designs by GMW Partnership, The Minster Building has an incredibly striking pink marble neo-gothic façade. BuckleyGrayYeoman are behind the recent redevelopment, as commissioned by Greycoat Real Estate and Ivanhoe Cambridge, which involved shifting the original entrance on the corner of Mincing Lane and Great Tower Street.

A new 30 metre long boulevard leads directly to the reception where there was once the longest run of escalators in Europe. These have now been removed and replaced with an eight-storey central atrium, around which the offices are arranged. The new atrium sets the tone and material palette for the rest of the development, with curved glazing, textured jesmonite panels, marble and bronze combining to create an opulent, airy and uplifting ambiance.

It is not often my brief includes the suggestion to look up and listen, but it is understandable when entering the space. Throughout the entrance and reception, the walls are hand-finished in nearly 2,000m2 of Armourcoat’s polished plaster together with over 600m2 of the company’s Acoustic Plaster System applied to the ceilings. Designed to optimize the acoustics of interior spaces, the Acoustic Plaster system offers an elegant marble based plaster finish while allowing sound energy to pass through the surface. The zero VOC system, which consists of 80% recycled material, achieves class '0' fire rating and a class 'A' Noise Reduction Coefficient rating.

The Minster Building has already attracted some cool new tenants that include The Third Space, which will open its first luxury health club in the square mile, a Crussh juice bar to be near the reception, and Brewdog, whose space will feature a 10 hectolitre brewing facility.

15

May

Innovative connectivity in Office Design featured in FX Magazine

  • By Jonathan Banks

My photographs were featured in the April edition of FX Magazine. The four page article showcases the London offices designed by CallisonRTKL for a large global tech company.  The design consultancy aimed to transform the client’s three floors into a modern, flexible space that would reflect the cutting-edge nature of the client’s brand.

From the outset, CallisonRTKL wanted to create a journey, both for visitors and employees. As well as building workstations and creating breakout areas to allow for flexible working and encourage collaboration, the designers’ brief was to create a meeting space for the client’s sales team and visiting customers.

The fifth floor is dedicated to the new visitor centre, for both new and existing customers. With a red wall and light strips, the reception desk makes a high-impact first impression. The ‘lines of light’ are a key part of the design concept, being a three dimensional manifestation of the human and digital connections of the business. Adjacent to the reception is a waiting area with various types of seating, a new customer lounge and focus rooms.

The open area connects with the main meeting suite via timber links on both sides, while the dynamic lines of light highlight the route through the corridors. There is an emphasis on connectivity of systems, data, people, physical areas, knowledge sharing and collaboration. Some 22 meeting rooms are placed at angles from each other to avoid long, narrow corridors, reduce acoustic reverberation and assist way-finding through tonal coding of floor and wall finishes

The LED dali lighting system is fully dimmable, and lighting and daylighting are linked along with the external blinds and controls. Dedicated perimeter lighting control zones enable full daylight linking. Meeting rooms and offices are fitted with in-room temperature control systems. The fifth floor meeting suite has a multi-channel, wall mounted, scene-setting light to tune the environment to a range of scenarios.

One of the core ideas was to “bring nature in”, to balance the digital and virtual worlds with people, and humanise the space. This was interpreted throughout with the use of organic patterns, materials and finishes.

See the full article at FX Magazine

For more information go to CallisonRTKL

 

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