In times like these it is beneficial to be diverse and adaptable. If you look at my website then you will see reportage, travel photography and portraits for magazines; annual report stock photography, portraits and commercial photography for corporate clients; architecture and interiors for designers; and humanitarian and campaign photography for charitable organisations. I really enjoy the range of work.
I do not think this dilutes my focus, in fact I believe that it is a strength for the people I work with, and for my position in the professional world of photography. I apply the same enthusiasm of seeking to capture the best photos possible for every assignment. This seems to have worked so far, receiving international awards in all sectors of my work.
It means I can supply clients with every aspect of photography. So, as well as photographing interiors and architecture, I can also photograph the designers behind the projects. Here are some of the creatives that I have photographed alongside photographing the architect’s projects.
Jonathan Banks picked up one “honorable mention” title in the “Children of the World” category and three “nomination” titles in the “Architecture”, “Fine Art” and “portraiture” categories.
12th Annual Jury members included captains of the industry from Sotheby's, New York; Benetton, Ponzano Veneto; The Art Channel, London; Kolle Rebbe, Hamburg; Droga5, New York; Preus Museum, Norway; Art Beatus, Hong Kong; Forsman & Bodenfors, Gothenburg; Wieden & Kennedy, Portland; Fox Broadcasting Network, Los Angeles; Gallery Kong, Seoul; and Phillips, New York who honored Color Masters with 761 title awards and 1,032 nominees in 37 categories.
"It is an incredible achievement to be selected among the best from the 7,241 entries we received this year," said Basil O'Brien, the awards Creative Director. Jonathan Banks's photographs represent contemporary color photography at its finest.”
INTERNATIONAL COLOR AWARDS is the leading international award honoring excellence in colour photography. This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honors the finest images with the highest achievements in colour photography.
Towards the end of last year I photographed the Nobu Hotel in Shoreditch in association with Project Pictures.
Sitting happily among Shoreditch’s re-purposed warehouses and factories, Nobu Hotel is a bold architectural statement whose marriage of complexity and urban generosity delivers a global destination in the heart of London’s most vibrant neighbourhood.
Occupying a tight urban plot, the hotel follows the street line and accents its strong linear form with horizontal steel and concrete fins at each floor level. A playful, informal grid of board-marked concrete panels and generous full height glazing expresses the range of activities contained within the hotel, dematerialising at its sloping southern end to give sculptural presence to a lush sunken pocket park.
The original architects of the scheme, Ron Arad Architects, were appointed in 2011 to design the new Nobu Hotel in Shoreditch, gaining planning permission in 2012. The original scheme featured overhanging floor slabs, and cantilevered steel beams forming a frayed edge to the east, where a landscaped garden is terraced to provide natural light to the lower restaurant space. Ron Arad Architects left the project in 2013. Ben Adams Architects were appointed by Willow Corp in December 2013 to develop the design and complete the project.
Subtle material cues demarcate the public and private layers of the hotel. Refined bronze portals signal the hotel and restaurant entrances. Overlaying its raw concrete frame, timber, echoing the hotel’s concrete cladding, creative textiles and warm fabrics create an earthy, elegant aesthetic that delivers a variety of moods in its public spaces. This materiality creates a seamless link between the double height bar/restaurant in the hotel basement and the landscaped garden that adjoins this space. Sliding bamboo screens sandwiched within the hotel’s glazed cladding give flexible degrees of privacy to the suites that overlook the sunken garden and the 150 bedrooms occupying its upper floors, while maintaining a strong sense of harmony with the building’s architectural treatment as a whole.