Dec / Jan 2020/21 Issue of arc Magazine
My photography is featured in the Spotlight section of the latest arc Magazine, the international magazine for lighting in architecture.
I photographed the award winning ICON Outlet centre at the O2 in London for CallisonRTKL who worked alongside Hoare Lea.
The design focuses on the creation of two unique retail experiences – the Petals and the Clouds – to correspond with the leasing strategy and the character of the space they occupy. The ceiling treatments within these spaces are a unique feature to the site, designed to create a sense of light, space and tranquillity. Clever use of LED lighting enables the tone and look and feel of the development to shift depending on the time of day.
The success of a mixed-use project hinges on activity. The more people are walking around, using the space, and engaging with it, the more it creates an inclusive atmosphere and people want to be there. Creating spaces where communities can come together, alongside major entertainment destinations would ensure that the district will never ‘go dark’ and the different zones will offer varied, engaging experiences for visitors any day of the week.
I also have an advert in the magazine.
EPR Architects has once again scooped the AJ100 Client’s Choice award. The practice has now won the gong 3 times in the last 4 years, reclaiming the top spot from last year’s winner HTA Design.
EPR emerged as the runaway winner after the AJ polled construction clients and asked them to name both a practice with whom they would like to work again, and one they had not yet worked with but would like to.
The architect beat 6 other shortlisted practices, which included 3D Reid, Allies and Morrison and Assael Architecture. EPR is ranked 16th in the AJ100.
Earlier this year I photographed the new London offices of a leading US Investment firm for them.
EPR’s design has successfully reimagined and reinvigorated the office space, creating a high quality, open plan modern working environment with ample features for their staff and visitors.
The reception area has been redefined as a welcoming area that is more akin to being an art gallery than the reception of an investment firm. One wall is clad in cherry wood panels and the others in subdued fabric panels to compliment the incredible Anthony Gormley sculpture and Rebecca Gouldson wall art.
The front of house guest area also includes various meeting options including the boardroom, housing a custom made Ceasarstone table along with Wilkhahn Solo leather conference chairs.
Between the client meeting area and the back of house working environment is a communal kitchen, dining, and informal meeting space. A bespoke oak bench emerges from the timber floor and continues up the wall before forming a ceiling feature as a contrast to the character of the work environment. Above the table is an Ultra 8 by Le Deun feature pendant light.
The open plan working environment offers staff a variety of spaces where they can work effectively, including dedicated desks to meeting rooms of different sizes and comfortable breakout spaces. This is furnished with Knoll Tone Sit Stand workstations throughout with Herman Miller Aeron task chairs.
Attention to detail was central to the design which replaced the heavily repetitive panel ceiling system for a bespoke ceiling solution to each cellular office, integrating a black framed ventilation grill to clearly define the two open plan offices. Within the front of house areas, the ventilation grill is replaced with a black aluminium channel and lighting which connects the spaces and directs guests to the refurbished meeting rooms. This lighting by Kreon highlights key features such as the flamed textured granite wall in the lift lobby, the cherry wood wall in the reception gallery, and the artwork.
Like photography, design is about beauty and content or form and function. All too often photographers and designers seem to be working hard to produce material that is baying for your attention. Sometimes all that is required is a passion for quality, and a high standard of finish showcasing what you are about. EPR Architects have balanced this perfectly.
I was presented with 2 honourable mentions and 1 nomination in the 14th Annual B&W Spider Awards in the category's of “People”, "Portraits" and "Abstract", at a prestigious Nomination & Winners PhotoShow streamed Saturday, October 12, 2019. The photograph in the "People" category was taken for International Alert in Liberia; the photograph in the "Portrait" category was of Lenny Henry, comedian and co-founder of the charity, Comic relief; and the photograph in the "abstract" category was of the ICON Outlet ceiling at the O2 in London, commissioned by the architect and designers, CallisonRTKL.
The live online gala was attended by industry leaders and the photography community from around the globe who logged on to watch the climax of the world's premier event for black and white photography. 14th Annual Jury members included captains of the industry from Musee de l'Elysee, Lausanne; The Guardian, London; Contrasto Galleria, Milan; Travel/Discovery Channel, New York; Harper's Bazaar, UK; Portuguese Centre of Photography, Porto; Aeroplastics Contemporary, Brussels; Silvan Faessler Fine Art, Zurich; ADK Creative One Inc., Tokyo; Galerie Hubert Winter, Vienna; Conny Dietzschold Galleries, Sydney; and Pereira O'Dell in New York who honoured Spider Fellows with awards and nominees in 32 categories.
"It's an incredible achievement to be selected among the best from the 6,418 entries we received this year" said Basil O'Brien, the awards Creative Director. "Jonathan Banks's "Sharing," an exceptional image entered in the “People”, "Portraits" and "Abstract" category's, represents black and white photography at its finest, and we're pleased to present him with the awards."
BLACK AND WHITE SPIDER AWARDS is the leading international award honouring excellence in black and white photography. This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honours the finest images with the highest achievements in black and white photography. www.thespiderawards.com
I was recently commissioned, in association with Project Pictures, to photograph the new Devlin Hotel in Dublin.
Pure Fitout are the craftsmen behind the project, and have sourced and manufactured nearly every feature of the hotel – from the 40 rooms, to the timber panelled rooftop restaurant and bar, art deco cinema, bronze-finished Americana Bar and Moroccan tiled bathrooms. The firm collaborated with renowned designers, O’Donnell O’Neill Design Associates, and Lawrence & Long Architects to complete the first new-build project for Press Up Entertainment Group.
My brief contained the usual long list of external and interior photographs but also requested that I capture the unique playful /edgy and stylish design of the space, from the “Feck Off – Don’t Disturb” signs to the art throughout. You see the Devlin Hotel is pitched as the coolest hotel in Dublin if not Ireland! It has everything great about Ireland, past present and future.
After reviewing the plans / drawings and some photos taken during construction, and discussing the key design elements I was afforded a two day shoot photographing late into the night and early on the second day. I requested a cherry picker to capture the feature roof top restaurant bar with the Dublin skyline.
The Devlin enjoys a wonderful location at the centre of Ranelagh, just south of the central city. It is in the heart of Ranelagh’s bustling main street with good connections to the city centre and airport. As such the hotel describes itself as a “community hub” and “more than a hotel” where you can stay as a resident or just enjoy the public spaces. Head in and relax in the café and bakery with space to meet friends or hot desk. Make use of the excellent concierge service to connect with a wide range of city offerings. Take in a movie at the 42-seat subterranean cinema, with its 1950s-style seating, leather trim, popcorn machine, food offerings and two daily screenings. Sample the spacious, light-filled Americana Bar on the ground floor for fresh, modern cocktails, and all-day bites. Or dine in the rooftop restaurant, “Layla’s”, with 180 degree views of Dublins skyline and a terrace for al fresco dining.
Don’t get me wrong this 40-room hotel is compact so there is no spa, fitness centre, garden or even parking. The hotel rooms have “Everything that you need and nothing that you don’t”. Standard rooms are on the modest side, but smart design – in particular cunning fenestration – removes any sense of lack of space. There's comfort and a decided sense of style. The techy mod cons (Nespresso machines, Smeg fridges, and Dyson hairdryers) also impress. A range of rooms are on offer: triples include bunk beds. Bathrooms are sleek and high quality, with rainforest showers and Moroccan tiles.
The Devlin ticks all the boxes, with excellent fittings and finishes. There are five specialist timbers featuring throughout the hotel, including the intricate Iroko panelling of the Americana Bar, pitch pine ceilings in Layla’s restaurant and walnut burl to the free standing case goods throughout the hotel’s interior.
Over 160 pieces of original paintings and prints hang on the walls, including work by Dorothy Cross, Cian McLoughlin and Eva Rothschild, as well as emerging artists like Alan Butler, Leah Hewson and Eve O’Callaghan. A bespoke Tracey Emin neon piece hangs above reception that says “I Came Here For You”.
The Devlin hotel has already been shortlisted for several awards including the RLI Interior Excellence Category 2019. My photographs have also helped it to be featured in the a whole host of publications including the Daily Telegraph, Irish Times, Independent, Hotel Owner Magazine.