I was presented with 2 honourable mentions and 1 nomination in the 14th Annual B&W Spider Awards in the category's of “People”, "Portraits" and "Abstract", at a prestigious Nomination & Winners PhotoShow streamed Saturday, October 12, 2019. The photograph in the "People" category was taken for International Alert in Liberia; the photograph in the "Portrait" category was of Lenny Henry, comedian and co-founder of the charity, Comic relief; and the photograph in the "abstract" category was of the ICON Outlet ceiling at the O2 in London, commissioned by the architect and designers, CallisonRTKL.
The live online gala was attended by industry leaders and the photography community from around the globe who logged on to watch the climax of the world's premier event for black and white photography. 14th Annual Jury members included captains of the industry from Musee de l'Elysee, Lausanne; The Guardian, London; Contrasto Galleria, Milan; Travel/Discovery Channel, New York; Harper's Bazaar, UK; Portuguese Centre of Photography, Porto; Aeroplastics Contemporary, Brussels; Silvan Faessler Fine Art, Zurich; ADK Creative One Inc., Tokyo; Galerie Hubert Winter, Vienna; Conny Dietzschold Galleries, Sydney; and Pereira O'Dell in New York who honoured Spider Fellows with awards and nominees in 32 categories.
"It's an incredible achievement to be selected among the best from the 6,418 entries we received this year" said Basil O'Brien, the awards Creative Director. "Jonathan Banks's "Sharing," an exceptional image entered in the “People”, "Portraits" and "Abstract" category's, represents black and white photography at its finest, and we're pleased to present him with the awards."
BLACK AND WHITE SPIDER AWARDS is the leading international award honouring excellence in black and white photography. This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honours the finest images with the highest achievements in black and white photography. www.thespiderawards.com
I was recently commissioned, in association with Project Pictures, to photograph the new Devlin Hotel in Dublin.
Pure Fitout are the craftsmen behind the project, and have sourced and manufactured nearly every feature of the hotel – from the 40 rooms, to the timber panelled rooftop restaurant and bar, art deco cinema, bronze-finished Americana Bar and Moroccan tiled bathrooms. The firm collaborated with renowned designers, O’Donnell O’Neill Design Associates, and Lawrence & Long Architects to complete the first new-build project for Press Up Entertainment Group.
My brief contained the usual long list of external and interior photographs but also requested that I capture the unique playful /edgy and stylish design of the space, from the “Feck Off – Don’t Disturb” signs to the art throughout. You see the Devlin Hotel is pitched as the coolest hotel in Dublin if not Ireland! It has everything great about Ireland, past present and future.
After reviewing the plans / drawings and some photos taken during construction, and discussing the key design elements I was afforded a two day shoot photographing late into the night and early on the second day. I requested a cherry picker to capture the feature roof top restaurant bar with the Dublin skyline.
The Devlin enjoys a wonderful location at the centre of Ranelagh, just south of the central city. It is in the heart of Ranelagh’s bustling main street with good connections to the city centre and airport. As such the hotel describes itself as a “community hub” and “more than a hotel” where you can stay as a resident or just enjoy the public spaces. Head in and relax in the café and bakery with space to meet friends or hot desk. Make use of the excellent concierge service to connect with a wide range of city offerings. Take in a movie at the 42-seat subterranean cinema, with its 1950s-style seating, leather trim, popcorn machine, food offerings and two daily screenings. Sample the spacious, light-filled Americana Bar on the ground floor for fresh, modern cocktails, and all-day bites. Or dine in the rooftop restaurant, “Layla’s”, with 180 degree views of Dublins skyline and a terrace for al fresco dining.
Don’t get me wrong this 40-room hotel is compact so there is no spa, fitness centre, garden or even parking. The hotel rooms have “Everything that you need and nothing that you don’t”. Standard rooms are on the modest side, but smart design – in particular cunning fenestration – removes any sense of lack of space. There's comfort and a decided sense of style. The techy mod cons (Nespresso machines, Smeg fridges, and Dyson hairdryers) also impress. A range of rooms are on offer: triples include bunk beds. Bathrooms are sleek and high quality, with rainforest showers and Moroccan tiles.
The Devlin ticks all the boxes, with excellent fittings and finishes. There are five specialist timbers featuring throughout the hotel, including the intricate Iroko panelling of the Americana Bar, pitch pine ceilings in Layla’s restaurant and walnut burl to the free standing case goods throughout the hotel’s interior.
Over 160 pieces of original paintings and prints hang on the walls, including work by Dorothy Cross, Cian McLoughlin and Eva Rothschild, as well as emerging artists like Alan Butler, Leah Hewson and Eve O’Callaghan. A bespoke Tracey Emin neon piece hangs above reception that says “I Came Here For You”.
The Devlin hotel has already been shortlisted for several awards including the RLI Interior Excellence Category 2019. My photographs have also helped it to be featured in the a whole host of publications including the Daily Telegraph, Irish Times, Independent, Hotel Owner Magazine.
Jonathan Banks picked up one “honorable mention” title in the “Children of the World” category and three “nomination” titles in the “Architecture”, “Fine Art” and “portraiture” categories.
12th Annual Jury members included captains of the industry from Sotheby's, New York; Benetton, Ponzano Veneto; The Art Channel, London; Kolle Rebbe, Hamburg; Droga5, New York; Preus Museum, Norway; Art Beatus, Hong Kong; Forsman & Bodenfors, Gothenburg; Wieden & Kennedy, Portland; Fox Broadcasting Network, Los Angeles; Gallery Kong, Seoul; and Phillips, New York who honored Color Masters with 761 title awards and 1,032 nominees in 37 categories.
"It is an incredible achievement to be selected among the best from the 7,241 entries we received this year," said Basil O'Brien, the awards Creative Director. Jonathan Banks's photographs represent contemporary color photography at its finest.”
INTERNATIONAL COLOR AWARDS is the leading international award honoring excellence in colour photography. This celebrated event shines a spotlight on the best professional and amateur photographers worldwide and honors the finest images with the highest achievements in colour photography.
The idea of the workplace has changed dramatically in recent years. No longer just a physical setting, done right, the workplace can contribute to enhanced employee health and wellbeing, create a sense of community and improve pride in a place of work.
I was tasked to photograph the new International Quarter London building, which is a joint venture between Lendlease and LCR, designed specifically as the new headquarters for the Financial Conduct Authority (FCA).
Sitting within a 22 acre site that connects seamlessly to Queen Elizabeth Olympic Park and the emerging Cultural and Education District, IQL is in the heart of Stratford. Combining workplace design expertise, Stratford’s green open spaces and outstanding transport connectivity, FCA staff will also have access to a range of facilities including an onsite gym, large roof terrace and 200-seat auditorium.
The new building was designed by world-acclaimed architects, Rogers Stirk Harbour + Partners, to emulate the very latest thinking behind progressive ways of working. With the health and wellbeing of its occupants at the very forefront, it boasts stunning views of the City of London, as well as innovative design features. A key feature of the building is the atrium which has been designed as an open working environment. There are different work settings within the atrium for people to either work together or on their own.
The building has achieved the highest environmental rating for materials used. Innovative Closed Cavity Facade cladding monitors the position of the sun and adjusts the blinds accordingly, working with multi-service chilled beams to keep temperatures comfortable in the building without compromising on maximising natural light for its occupants from the floor to ceiling windows. 100% fresh air is circulated throughout the building, forming a healthy and stimulating environment to work in.
Around 6,300 employees are now established at IQL with the FCA and Unicef moving their headquarters to the development over the summer. They join TfL who moved to their new building, 5 Endeavour Square, in September 2017. Construction of the third commercial building is in progress, with space there pre-let to Cancer Research UK and British Council. Together they shall bring around 2,400 further staff to IQL when they move in late 2019 and early 2020 respectively.