My photographs were featured in the April edition of FX Magazine. The four page article showcases the London offices designed by CallisonRTKL for a large global tech company. The design consultancy aimed to transform the client’s three floors into a modern, flexible space that would reflect the cutting-edge nature of the client’s brand.
From the outset, CallisonRTKL wanted to create a journey, both for visitors and employees. As well as building workstations and creating breakout areas to allow for flexible working and encourage collaboration, the designers’ brief was to create a meeting space for the client’s sales team and visiting customers.
The fifth floor is dedicated to the new visitor centre, for both new and existing customers. With a red wall and light strips, the reception desk makes a high-impact first impression. The ‘lines of light’ are a key part of the design concept, being a three dimensional manifestation of the human and digital connections of the business. Adjacent to the reception is a waiting area with various types of seating, a new customer lounge and focus rooms.
The open area connects with the main meeting suite via timber links on both sides, while the dynamic lines of light highlight the route through the corridors. There is an emphasis on connectivity of systems, data, people, physical areas, knowledge sharing and collaboration. Some 22 meeting rooms are placed at angles from each other to avoid long, narrow corridors, reduce acoustic reverberation and assist way-finding through tonal coding of floor and wall finishes
The LED dali lighting system is fully dimmable, and lighting and daylighting are linked along with the external blinds and controls. Dedicated perimeter lighting control zones enable full daylight linking. Meeting rooms and offices are fitted with in-room temperature control systems. The fifth floor meeting suite has a multi-channel, wall mounted, scene-setting light to tune the environment to a range of scenarios.
One of the core ideas was to “bring nature in”, to balance the digital and virtual worlds with people, and humanise the space. This was interpreted throughout with the use of organic patterns, materials and finishes.
See the full article at FX Magazine
For more information go to CallisonRTKL
I have photographed some amazing features in various Nandos restaurants, as thought up by the creative team at STAC Architecture, but the recent interior in Woking really made me wonder what they had been drinking when they were pitching the design?
There are seven thousand beer bottles suspended at different heights from the ceiling to create an incredible fluidity to the feature. The wave like installation is lit from behind to play on the bottles transparency and colour.
The bottles had to be individually hung in place with some "breathing" space in between as there was some concern of potential vibrations from the air conditioning.
The bottles are now a feature which draws the public into the restaurant. They run along the length of the restaurant front to be seen from the street, with the staff telling me that people often enter with their eyes fixed looking up.
I suspect that if we asked STAC Architecture what factor instigated this amazing design feature, they would say "Whatever it is, you would make a fortune if you bottled it"
And if one green bottle should ...
I recently photographed Nando's new, and largest, restaurant in Ireland. It is Nando's second restaurant in Cork and an 11th location for the franchise throughout the country.
Located in a former Methodist Church that dates back to 1880, the 152-cover restaurant interior has seen many of the building’s stunning original features restored to their former glory, including an atrium, exposed brickwork and timber roof trusses.
Nando’s recently announced a global re-brand designed to forge a stronger connection with its South African roots by celebrating both the history of the brand and modern African cultural references.
The new Cork restaurant highlights Nando’s South African roots, with original art from emerging and established South African artists along with flagstone limestone floor tiling and metallic touches in copper and steel.