I was recently commissioned, in association with Project Pictures, to photograph the new Devlin Hotel in Dublin.
Pure Fitout are the craftsmen behind the project, and have sourced and manufactured nearly every feature of the hotel – from the 40 rooms, to the timber panelled rooftop restaurant and bar, art deco cinema, bronze-finished Americana Bar and Moroccan tiled bathrooms. The firm collaborated with renowned designers, O’Donnell O’Neill Design Associates, and Lawrence & Long Architects to complete the first new-build project for Press Up Entertainment Group.
My brief contained the usual long list of external and interior photographs but also requested that I capture the unique playful /edgy and stylish design of the space, from the “Feck Off – Don’t Disturb” signs to the art throughout. You see the Devlin Hotel is pitched as the coolest hotel in Dublin if not Ireland! It has everything great about Ireland, past present and future.
After reviewing the plans / drawings and some photos taken during construction, and discussing the key design elements I was afforded a two day shoot photographing late into the night and early on the second day. I requested a cherry picker to capture the feature roof top restaurant bar with the Dublin skyline.
The Devlin enjoys a wonderful location at the centre of Ranelagh, just south of the central city. It is in the heart of Ranelagh’s bustling main street with good connections to the city centre and airport. As such the hotel describes itself as a “community hub” and “more than a hotel” where you can stay as a resident or just enjoy the public spaces. Head in and relax in the café and bakery with space to meet friends or hot desk. Make use of the excellent concierge service to connect with a wide range of city offerings. Take in a movie at the 42-seat subterranean cinema, with its 1950s-style seating, leather trim, popcorn machine, food offerings and two daily screenings. Sample the spacious, light-filled Americana Bar on the ground floor for fresh, modern cocktails, and all-day bites. Or dine in the rooftop restaurant, “Layla’s”, with 180 degree views of Dublins skyline and a terrace for al fresco dining.
Don’t get me wrong this 40-room hotel is compact so there is no spa, fitness centre, garden or even parking. The hotel rooms have “Everything that you need and nothing that you don’t”. Standard rooms are on the modest side, but smart design – in particular cunning fenestration – removes any sense of lack of space. There's comfort and a decided sense of style. The techy mod cons (Nespresso machines, Smeg fridges, and Dyson hairdryers) also impress. A range of rooms are on offer: triples include bunk beds. Bathrooms are sleek and high quality, with rainforest showers and Moroccan tiles.
The Devlin ticks all the boxes, with excellent fittings and finishes. There are five specialist timbers featuring throughout the hotel, including the intricate Iroko panelling of the Americana Bar, pitch pine ceilings in Layla’s restaurant and walnut burl to the free standing case goods throughout the hotel’s interior.
Over 160 pieces of original paintings and prints hang on the walls, including work by Dorothy Cross, Cian McLoughlin and Eva Rothschild, as well as emerging artists like Alan Butler, Leah Hewson and Eve O’Callaghan. A bespoke Tracey Emin neon piece hangs above reception that says “I Came Here For You”.
The Devlin hotel has already been shortlisted for several awards including the RLI Interior Excellence Category 2019. My photographs have also helped it to be featured in the a whole host of publications including the Daily Telegraph, Irish Times, Independent, Hotel Owner Magazine.
At the end of last year I photographed the new ICON Outlet at the O2 for CallisonRTKL. The opening of ICON Outlet completes CallisonRTKL (CRTKL) and the clients’, AEG and Crosstree’s, vision to deliver an unparalleled leisure and entertainment district for London – a place where retail and leisure converge. The development will complete the circuit within the Entertainment District to create a 360-degree visitor experience that not only supports the main arena events but has the critical mass to be a customer draw in its own right.
“The retail world is ever-evolving, the focus on the curated experience is a real shift of approach. Shopping destinations are now seeking new leisure experiences to attract, activate and energize their existing offer. What we have here is one of the most iconic leisure destinations in the world, anchored by the world’s favorite arena. We believe that the addition of the ICON Outlet is the final critical piece that will not only transform the O2 but in its own right create a new paradigm,” said Nathmya Saffarini, Senior Associate Director at CallisonRTKL and thought leader in sports anchored entertainment districts.
The success of a mixed-use project hinges on activity. The more people are walking around, using the space and engaging with it, the more it creates an inclusive atmosphere and people want to be there. Creating spaces where communities can come together, alongside major entertainment destinations would ensure that the district will never ‘go dark’ and the different zones will offer varied, engaging experiences for visitors any day of the week.
New contemporary food concepts were curated for ICON Outlet to compliment the fashion district and deliver a true lifestyle destination.
The urban outlet has been divided into key themes, which the developers state reflects consumer trends and behaviour, from ‘Best of British’ highlighting quality and heritage to ‘Global fashion’, featuring premium brands from across the globe. Other areas include ‘Beauty and accessories’ and ‘Sports and lifestle’, offering some of the most exciting names in athleisure.
To complement the retail offer, Icon Outlet will also host a range of experience-led services, including personal shoppers and stylists, hands-free shopping, and unique event shopping packages.
CRTKL’s concept focuses on the creation of two unique retail experiences – the Petals and the Clouds – to correspond with the leasing strategy and the character of the space they occupy. The ceiling treatments within these spaces are a unique feature to the site, designed to create a sense of light, space and tranquillity. Clever use of LED lighting enables the tone and look and feel of the development to shift depending on the time of day.
“The two-storey mall section referred to as the Petals creates a sensory explosion of colour and form inspired by London’s fashionable retail streets. The canopy that runs along its street is designed to replicate the dappled shade of a tree-lined thoroughfare,” said Nathmya Saffarini, Senior Associate Director at CallisonRTKL.
The single storey section referred to as the clouds is designed to be a column-free retail space, the ceilings, roofs, walls are hung from the existing trusses in the space. It is a clever solution that gives the client the flexibility to move internal partitions as needed to meet retailer requirements.
“‘The Cloud’ is designed as a calming retail escape. It creates an ambiance of light and tranquillity with its immersive forms and cool colours. The ceiling treatment consists of a series of fins that envelops the space below,” said Nathmya Saffarini, Senior Associate Director at CallisonRTKL.
Designing the ceiling treatments was one of the most exciting challenges, the design needed to be lightweight, work with the O2’s smoke fire strategy whilst creating visual interest underneath the tent liner.
A second phase comprising another 32 stores on the lower level will open in Spring 2019. Being in the middle of a global city, it has an amazing residential catchment so an outlet would work in its own right but being in an iconic building, with river frontage, tourist attractions and the huge profile of its leisure offer Icon Outlet should mature into one of the very best outlets and should set the bar for others.
Last year I photographed the Nando’s newly refurbished head office reception space in Putney, as designed by Fusion DNA.
Fusion DNA have created a space that looks and feels in the same vein as one of Nando’s restaurants. There is the familiar Nando’s pallet of earthy tones contrasting with vibrant chilli flashes of colour. The design employs African patterns and natural materials with a variety of textures. The reception desk is polished concrete and is set against a bespoke tiled wall with feature pendants above. There is a ribbon light that leads you into the seating area which comprises of a huge feature wooden slat bench curving and twisting to define the reception waiting area.
Also on the ground floor is a large conference room with a bespoke boardroom table made by Forest to Home. The room opens out on to a courtyard for those meetings in the summer to spill out into. There are several other smaller meeting rooms with feature pieces of furniture, pendant lights and artwork.
The spiral stair case is constructed from polished layered plywood and is intertwined by a tube slide that I just had to try whilst there! On the first floor is a large break out / kitchen point for informal meetings. There are also a number of “class rooms” for staff training. Plants seem to grow wherever they can, with a plant wall in the reception area, wall hung planters in the breakout / kitchen space and numerous large planters dotted around.
Nando’s has so far bucked the trend of the slowdown of the casual dining sector and has plans to further expand its restaurant estate in 2019.
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My photographs were featured in the April edition of FX Magazine. The four page article showcases the London offices designed by CallisonRTKL for a large global tech company. The design consultancy aimed to transform the client’s three floors into a modern, flexible space that would reflect the cutting-edge nature of the client’s brand.
From the outset, CallisonRTKL wanted to create a journey, both for visitors and employees. As well as building workstations and creating breakout areas to allow for flexible working and encourage collaboration, the designers’ brief was to create a meeting space for the client’s sales team and visiting customers.
The fifth floor is dedicated to the new visitor centre, for both new and existing customers. With a red wall and light strips, the reception desk makes a high-impact first impression. The ‘lines of light’ are a key part of the design concept, being a three dimensional manifestation of the human and digital connections of the business. Adjacent to the reception is a waiting area with various types of seating, a new customer lounge and focus rooms.
The open area connects with the main meeting suite via timber links on both sides, while the dynamic lines of light highlight the route through the corridors. There is an emphasis on connectivity of systems, data, people, physical areas, knowledge sharing and collaboration. Some 22 meeting rooms are placed at angles from each other to avoid long, narrow corridors, reduce acoustic reverberation and assist way-finding through tonal coding of floor and wall finishes
The LED dali lighting system is fully dimmable, and lighting and daylighting are linked along with the external blinds and controls. Dedicated perimeter lighting control zones enable full daylight linking. Meeting rooms and offices are fitted with in-room temperature control systems. The fifth floor meeting suite has a multi-channel, wall mounted, scene-setting light to tune the environment to a range of scenarios.
One of the core ideas was to “bring nature in”, to balance the digital and virtual worlds with people, and humanise the space. This was interpreted throughout with the use of organic patterns, materials and finishes.
See the full article at FX Magazine
For more information go to CallisonRTKL