It is always great to see my work in print … even more so when it is in a book of this calibre. Volume 10 of One Eyeland’s “The Best of The Best” annual book showcases the work of “89 of the world’s foremost photographers”.
I was commissioned to document DelAgua’s work in Rwanda of continued research and development in improving public health, with a focus on water quality. Rwanda is one of the world’s poorest countries, but its economy is growing. The government is committed to fairness, raising the prosperity of all levels of society. The photograph was a winning picture in the “People – children” category of the One Eyeland’s Awards.
One Eyeland is the biggest photo sharing site that allows users to submit their photos into a curated gallery. Only the best images make it into the gallery. Not all images on One Eyeland will make it to the book. The jury sifts through thousands of images and selects the top 2%.
Twenty years ago, I was in Yosemite National Park due to be in New York three days’ after. All flights were grounded.
I waited at San Francisco airport and managed to board a flight. I arrived in New York with a change of purpose, assigned to document the aftermath of 9/11.
I went with the intention of photographing the destruction of the twin towers and ground zero, but this quickly changed to documenting the emotionally charged atmosphere within the people of New York. Everyday for a week I walked the streets around ground zero, speaking and photographing people in mourning, protestors, and emergency workers. There was an undeniable spirit of unity in a city that you are normally “on your own”.
I did photograph the wreckage of the twin towers, along with the surrounding buildings which had either been destroyed, damaged, or filled with dust. I also captured people at numerous vigils and protests. Emotions were strong and I witnessed love, compassion, anger, hate, and opportunity on every corner. There was 9/11 memorabilia being sold with T shirts and photos of the planes flying into the sides of the towers. I spoke and photographed one Afghan restaurant owner who had already experienced vandalism and abuse to an extent that he was closing his business down.
Where has the last twenty years gone and what has been achieved? Today we remember those who lost their lives on 9/11 2001, vowing “never forget”. We need to all recognise that the only way forward is to live with the same spirit of humanity, that was experienced in the aftermath.
This years theme for the United Nations International Day of Clean Air for blue skies is “Healthy Air, Healthy Planet”, to help raise global awareness of air pollution and its devastating impact on health. The UN is very clear about the scale of the problem: Air pollution is the largest environmental risk to global public health, and it particularly impacts children, women and the elderly, with increased links to diseases such as dementia, diabetes, COVID-19, cardio-vascular and neurological diseases. Developed countries have greatly improved their air quality in recent years but many developing countries are, still reliant on wood and other solid fuels for cooking and heating. The result is that many vulnerable and marginalized people also suffer from the worst air quality.
I worked with the organisation DelAgua in Rwanda, photographing their cook stove project. I travelled throughout Rwanda with the DelAgua team photographing the distribution days, community health worker visits and how the program is improving the lives of those involved. Over 3 billion people still cook over polluting fires, a major contributor to carbon emissions, deforestation and climate change. Cooking over open fires or inefficient stoves emits one-quarter of global black carbon emissions—the second largest contributor to climate change after carbon dioxide. Household air pollution is the leading environmental cause of premature death and disability, ahead of unsafe water and lack of sanitation, causing more deaths than Malaria, HIV and TB combined. Clean cookstoves are vital to tackle both global challenges and they also provide a plethora of other benefits that impact the UN Sustainable Development Goals. The UN calculates the cost of inaction at $ 2.4 trillion and describes the provision of clean cooking solutions as nothing less than a human rights issue.
The DelAgua cook stove is designed to work for the reality of the lives of the families who use them. It uses wood, but just small pieces of twig and tinder, which rural families can gather without encroaching on forestry. Crucially the design of the stove increases thermal efficiency resulting in quicker cooking speeds and much lower fuel requirements. The stove requires at least 50% less wood than a traditional fire. The stove is durable and saves the equivalent of 14 tons of CO2 emissions over its seven- year life.
Education and ongoing support is central to the work. Every family is visited by a Community Health Worker who explains the dangers of cooking on a traditional fire and household air pollution and the health advantages of cooking on the stove and they also make sure the family know how to use it. Behaviour change is immediate and lasting. 99% of stoves are still in daily use after 2 years.
The Venice International Art Fair 2021: Fragmented Identities came to an end last week. I had three photographs being exhibited in the THE ROOM Contemporary Art Space | Palazzo Albrizzi-Capello in Venice between July 12 - August 01, 2021.
The Venice International Art Fair is a contemporary art exhibition that presents collective and solo projects by leading and emerging international artists. I was invited to show the work from my series of “Portraits of Survivors of Torture” produced in collaboration with TASSC International. The portraits feature survivors of Torture from around the world who fled their home countries seeking safety, recovery, and political asylum.
With the participation of more than 95 artists from more than 25 different countries, the art fair welcomed a healthy number of people back to the gallery. I was unable to attend the Art Fair due to the current travel restrictions, but the good people at ITSLIQUID sent me some pictures of my work at the fair as well as some general photos.