Image Image Image Image Image
"Jonathan has photographed International Alert's work in three different continents. He always becomes part of the team, needs a minimum amount of support and delivers stunning images which convey a real sense of humanity."
Phil Vernon
Director of Programmes
International Alert
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Quality photography is absolutely essential to our brand. It’s who we are, what we do and the impact we have on the world. And that means working with a photographer like Jonathan, who understands what we are trying to achieve with our work."
THOM MCKAY,
Director of Communications
RTKL.COM
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset,
Vice President
InterGen Europe
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"We work with photographers that try to capture the essence of our work and reflect our company values in terms of design. Jonathan produces excellent results every time with creative flair. He is highly professional to work with as well as personable. "
Sean Collins & James Felstead
Directors of CGL Architects.
"Whether on a farm in East Africa, a Trawler in the Atlantic or a Royal Palace in London, Jonathan consistently delivers photography that makes us look good to our clients. "
Paul Campbell
Director of Purple Patch Group
"Jonathan has been a pleasure to work with, professional, well organised, creative and always delivering to the brief. Considering the breadth of topics we have asked him to work on around the world, he has also shown himself to be resourceful and flexible. "
Judith Batchelar,
Director of Sainsbury's Brand
"Waiting on a quote from the British Red Cross "
Wendy Solesbury MBE
Youth Development Manager, British Red Cross
"Jonathan Banks has captured the faces of different people that vividly represent the human side of the conflict of Nagorno-Karabakh where each individual remains above all a human being with his or her right to be what they are, wherever they live, with dignity and in peace. "
EU Ambassador in Yerevan
"Jonathan has travelled to Intergen's power plants in Mexico, Australia and Europe and produces consistently high quality photography. Intergen's values are all about a high-quality work force for which we consider him part of. "
Mark Somerset
Vice President, InterGen Europe
X

News

29

Jan

A light bite from a heavy weight in design

  • By Jonathan Banks

Casual dining is a challenging marketplace and staying relevant is crucial to success. Last year I photographed a number of Nando’s including the Victoria Cardinal Place restaurant as designed by Moreno Masey.

First impressions are important, and when it comes to Nando’s restaurants, lighting is always at the forefront of the concept. The interior design has to enhance the customers dining experience with several layers of lighting used to meet those requirements.

Whether it is daylight or artificial lighting, light draws our attention to textures, colours and forms of a space, helping the design of a space achieve its true purpose. Vision is the single most important sense through which we enjoy the space we occupy, and lighting enhances the way we perceive that space even more.

Victoria Cardinal Place Nando’s is a master class in lighting, utilising the natural light at the front whilst maintaining this with ambient lighting in the stripped back ceiling. There are feature pendants above the various booths and lose tables which circle the restaurant, task lighting around the drinks and condiment unit, and architectural lighting built into the ceiling plus feature “wave” wall.

Central to the restaurants lighting are the Aim Lamps by Ronan and Erwan Bouroullec for Flos. These minimalist industrial suspension lamps create a tangle of wires to produce an organic feel to them. This is echoed in the feature metal and wooden “wave wall”.

There are bold flashes of colour in upholstery, table legs, artwork and servery tiles. The furniture is a mixture of lose tables and booths which hug the feature wall. Even the Nando’s sign is a minecraft ‘esqe wooden block cockerel which is back lit from within.

I’m going to add a special thanks to my youngest son for being my assistant on the day!

Nando's

Moreno Masey

FLOS