My photography is currently featured in the January edition of the Interior Designer Magazine as an article featuring the Long Barn, and as a back cover advert.
Interior Designer Magazine is Britain's longest established magazine for professional interior designers. It is the premier source of inspiration for the interior’s community, working with the very best creatives who are influencing and shaping the industry. The magazine presents project features, articles about the people behind the project, product news, and general ideas.
I photographed the Long Barn in High Hurstwood, showcasing the incredibly beautiful Clime plaster work by Armourcoat. Made from natural minerals with low embodied carbon, Clime plasters contain no cement or volatile organic compounds and are available in a wide range of natural colours.
Clime plasters create healthy interiors, with beautiful finishes in tune with nature and engaging traditional decorative skills.
A change from one year to the next often makes us look back and reflect. CRTKL architects recently released a film to celebrate their 75th anniversary which charts their evolution as a global firm.
This is my film and story which showcases the projects that I have photographed for CallisonRTKL since 2010. It is a celebration of collaborating with CRTKL on projects ranging from offices to shopping malls, residential buildings, hotels, and airports across three different continents.
These projects have been published in magazines around the world and won numerous prestigious architecture awards, plus photography awards.
I have also photographed the people / creatives at CRTKL.
Travel is one of the industries that has suffered the most during the global pandemic. The consequential ripples of placing restrictions on international movement has been far and wide. I photograph for a stable of corporate clients, editorial magazines, and charitable organisations around the world. I supply photography for various architects, designers, and hotel resorts.
Among those industries reacting to the restrictions on travel is the hotel sector. Hotel designers and architects are reworking existing projects and approaching new ones from a different perspective.
It is essential to understand and adapt to consumers’ changing behaviours for the future. Innovation in uncertain times comes down to flexibility and technology. Organisations need to supply environments that can evolve with the changes of our health concerns and that suit the users’ requirements.
Early indications are that business travel will decline and hotels will have to facilitate a wider range of guest that require different amenities. Hotels will need to appeal to everyone with a safe and secure environment which is welcoming. Lobbies are increasingly being transformed from designer furniture showrooms to the “home from home” spaces that attract overnight guests and local people alike. “Hybrid hotels” already offer hospitality services and facilities such as day spars and in-house cinemas in conjunction with their restaurants adapting to daytime coffee to evening meals for local guests.
Interior spaces will evolve to be designed where social distancing is not directed by Perspex screens and floor markings! Architects will need to consider their choice of materials and its viral surface retention qualities. Biophilic design will also have an important place, to purify the air and to create a sense of wellness.
Hotels will have to do more with less which is where Smart technology will reshape the way in which we use hotels. Contactless hospitality will mean the mobile check in and keyless entry to the rooms, as well as remote ordering at the restaurant. Technology amounts to a touchless interface, which is part of social distancing.
Other benefits offered by new technology are density and opt-in temperature monitoring, self-cleaning surfaces, and high-caliber air filtration systems. Hotels are even collaborating with medical organisations to offer hygiene excellence standards.
Maximising hotel roof designs can provide additional space for terraces or sky lounges, while also satisfying functional needs, such as thermal mass and biodiversity.
The hotel industry has always adapted to behavioural changes and embraced new technology. The pandemic has challenged the industry to react and reinvent itself where the resulting benefits will extend beyond hotel guests to local communities and the wider built environment.
When photographing hotels, there are several factors to consider, from capturing the architecture within its location, to the design of the interior space, and the ambience created by the lighting and design features. As with all architecture, interior, and lifestyle photography it is important to work with the design and marketing team to achieve the required photography.
I received an honourable mention in the “Architecture” category of the Tokyo International Foto Awards (TIFA) for my photo titled “Ribbon Roof”, photographed in the ICON Outlet at the O2 Arena in London as designed by CallisonRTKL and Hoare Lea.
The ceiling treatment within the ICON Outlet at the O2 Arena is a unique feature to the site, designed to create a sense of light, space and tranquillity. Clever use of LED lighting enables the tone and look and feel of the development to shift depending on the time of day.
TIFA acknowledges, commends, and promotes outstanding photography from all corners of the globe. TIFA connects photographers with the creative community in Tokyo, Japan, to provide them with an excellent platform to present their work to a new market. Winners are selected by an esteemed jury of photographers and leaders in the photography world. This year saw the greatest number of entries from the widest range of countries that TIFA has ever had.